I’ve never been much of a camera enthusiast outside of Sony. Part of it is likely due to my familiarity with the company and the other is due to the fact that Sony is one of the few companies that’s pushing the boundaries of cameras. Sales data tends to back this up as Sony has been the number one mirrorless camera maker for the past four years. So for me, it’s hard to imagine a time where Sony wasn’t making camera, (even my first digital cameras was a Cyber-shot with my absolute favorite being the ultra-slim for its time, T1) but unlike Canon and Nikon, they’ve only been going at it for about 20 years.
In the mid-1990s Sony was at a turning point. While Sony was a powerful name in consumer electronics, it was less well-known among professionals for optics and photography, and wanted to rectify this situation. The company therefore sought a strong and reputable partner in the high-end market and an expert in optics that could help them improve quality in the booming camcorder segment. For ZEISS – which can look back on more than 165 years of experience in optics and lens manufacturing – the situation was the exact opposite. Although its lenses enjoyed an excellent reputation among professional photographers, ZEISS was virtually unknown in the wider consumer market.
More after the jump.
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