The RED camera has been a phenomenon in the indie film making sector. Giving those who have knowledge of film making, but not a crazy budget to achieve almost any shot they want, without the need to mortgage their house and their liver. Mix that with the ever growing power of home computers and editing software like Final Cut Pro and you can see why Indy films have been on a ever growing trajectory. Now, Sony wan’t some of this action as well, already known for their studio grade camera’s.
The PMW-F3 (yes, Sony as their catchy names, I mean who wouldn’t forget that over just saying RED…) is Sony’s answer, a $16,000 camera, with Sony’s latest Exmor Super 35 CMOS sensor and interchangeable lens mounts, allowing the users to “facilitating shallow depth of field with a fairly impressive dynamic range”. The camera itself shoots with a MPEG-2 Long GOP 4:2:08bit, 35 Mbps codec), and uses Sony’s SxS ExpressCard-based recording media format (ISO 800, F11; and S/N ratio of 63dB in 1920×1080/59.94i mode). Another advantage that the PMW-F3 offers is the wide expandability of the device with its many ports on the back and PL mount. As Sony put it, “The PMW-F3’s PL mount adapter can accommodate both PL and zoom lenses, and will offer compatibility with a variety of cine lenses such as Cooke, Arri, Fujinon and Zeiss”. Though it remains higher in the price point category then other indy camera’s, the unit does offer more expandability then most units on the market with superior specs. Look for the camera to roll off of Sonys production lines for a February 2011 release.
As always, hit the jump for the official press release.
You must be logged in to post a comment.